More details on the requirements for these seats here. This test may be performed by a medical professional or by using an over-the-counter testing kit.Ĭan Can! Seating at Moulin Rouge! The Musical at the Al Hirschfeld Theatre is subject to additional policies and protocols due to its close proximity to the stage and performers. These ticket holders must provide proof of at least one of the following:Ī negative COVID-19 PCR test performed by a medical professional taken within 72 hours of the performance start time that clearly shows the date and time of the test, orĪ negative COVID-19 antigen test taken within 6 hours of the performance start time that clearly shows the date and time of the test. The only exceptions to the above policy will be for ticket holders under the age of 5, those who need reasonable accommodations due to a medical exception or sincerely held religious belief that prevents vaccination, and those who are not 14 days past their final vaccination. New York State residents, or anyone who received a COVID-19 vaccine or was administered a COVID-19 test in New York State, may present proof through the use of the Excelsior Pass (for more details, visit: ).Policy exceptions Ticket holders can present proof via an official governmental mobile app or website containing vaccination or testing information, or a photo or physical copy of a vaccination card or test result. Proof of vaccination (or negative test) must come directly from the healthcare provider that performed the vaccination or test. Ticket holders younger than 18 may present a government-issued ID or school ID, with or without a photo. All masks must completely cover the nose and mouth, and must comply with the CDC guidelines for acceptable face coverings.Īll ticket holders will need to be fully vaccinated with an FDA or WHO authorized vaccine in order to attend a performance at a Jujamcyn theatre and must provide proof one of the following:Ģ doses of an FDA or WHO authorized 2-dose COVID-19 vaccine dated at least 14 days before the performance date, orġ dose of an FDA or WHO authorized single-dose COVID-19 vaccine dated at least 14 days before the performance date.Īll ticket holders must also present a government-issued photo ID such as a driver’s license or passport. Innovative pop/rock icon David Byrne ( Talking Heads, Here Lies Love) shares the spotlight with a diverse ensemble of 11 musical artists from around the globe and marks a major cultural milestone in the worlds of music and theater.ĭavid Byrne and ensemble deliver “a marvel of staging and motion” ( Chicago Tribune) that’s as surprisingly poignant as it is supremely funky.Īll ticket holders, regardless of vaccination status, must properly wear a mask at all times except while actively eating or drinking when seated. Hopefully, it'll continue to pass on to the audience to keep the cycle going.DAVID BYRNE’S AMERICAN UTOPIA delivers “an experience unlike anything else” - Billboard It's just as important, if not more, to shower love into the people that are with me off stage, in my homes, and my communities, because that's what helped us get back to the stage to be our best selves. After months, for us to be sharing their joy, sorrow, and dancing all in this 1 hour and 40 minutes is a moment of release and reminds me to not take a day for granted again. Seeing the faces of people who have all gone through their own version of craziness this past year was emotional and makes me reflect on a lot - folks bringing their families, friends, and spouses have been singing along with us at home counting down the days just like us. Coming back reminded me how we create this space for our audiences too. Yes, we've traveled the world together, but this past year made it even more valuable to me to hold onto spaces and people that nurture you. So many feelings after not knowing if or when we would return. Also, because we've worked together for a few years now, there was still a sense of ease and joy remembering harmonies, riffs, and choreography. I spoke to many bandmates over the time off, but it was nice to all be back in one room with the common goal to reopen with more power and play this run. I was determined to bring this feeling back with me to the theater. Spending countless months creating in my home helped me reconnect with my love for art, innovation, and performing. I missed the feel of the stage more than I even expected and felt eager to push myself to be a stronger performer than when I left. After about 18 months of not being barefoot on the Marley, it almost felt like I never left. Tendayi Kuumba (vocals/dance): "To be back performing in front of a live audience is fulfilling in so many ways.
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